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2009/08/03 Very Good(+2 pnt) [Original Japanese review]
by ぽすときゅー (Skip) Provider: 43387 Host:43354 Browser: 6307
Midorikawa 's short edition has an atmosphere that accompanies a sense of season after all.
Although it is sometimes called the beginning, the picture seems to be disturbed, but I think that it is shiny if you express transience and transparency.
The earliest book "Atsuhibi": The thing underlying the story should be accompanied by fears with hinari,
It focuses on the feelings that the hero tightens and the warm feelings of our friends.
I like how to apply this simple focus. Well that seems to be a development that lacks weight, though.
In Mr. Midorikawa's work I feel that the bad guys are not demonstrating the effect in the story as a bad person. So it seems to be an impression that it was soft and tight as a whole.
Just because the story's purpose is not there, I think that there is a taste there too.
Its sense that it arranges words that come to mind everywhere in the story, indeed. After all it was literary.
This is the most favorite "The trace of flowers": Mr. Midorikawa's work is very beautifully arranged with the symbol of these themes being used effectively. Painting. His suffering between painting talent and reality. He will not distress his suffering, but at the end only one leaves a feeling to her. In a place where suffering and passion felt.
It was a painful and beautiful story.
I omit it.
I think that words and expressions are so poetic that preferences can be divided.
2005/11/05 Best(+3 pnt) [Original Japanese review]
by 遠野 (Skip) Provider: 7995 Host:8065 Browser: 4184
Yuki Midorikawa, the first short edition.
"Atsuhibi" "Traces of flowers" "A cold day" is a work set in the same school.
Especially "Atsuhibi" and "A cold day" has changed from a point of view, but it takes a form of a series.
The fourth work is pretty early work. This is the only thing completely independent.
The title work "Atsuibi".
It is a work with atmosphere. A little misty, in a soft Mislead.
But what is in the core is severe, it hurts. With modest gestures and gaze, the skill of expressing what Ikeda has is brilliant.
It is also good at connecting scenes. From the point of view of Kuniyoshi, which is in a relaxed family, from the viewpoint of Kunichi, through a telephone conversation - a conversation leaking outside, sliding to a translated Ikeda. Kuniyoshi father gives a voice to him and results in a calm family. There is a translation, but it is a very painful series. It is pulled to deployment.
A heavily heavy story that a single boy had. While feeling a mass that can not be easily melted, the last is very comfortable. Broken watermelon, words only monologue. Changes in expression of Ikeda are also very good.
"Traces of flowers" where girls and boys contact each other on the desk graffiti.
It is a painful and beautiful story. Images like softly and gentle and warm things come in.
Somewhere awkward, the sympathy of Kikuchi and Kurata who are confused by how to close each other's distance and how to touch each other was frustrating, and that was better.
This monologue is also excellent.
The way to connect the past and the present intermittently and bring it to reality as awakening from it is very vivid.
From the neck of Kurata's hands, from the shoulder to the back, the graffiti flowers overflowing and spilling out was very impressive.
At the end, large flowers drawn on the ceiling and small graffiti painted on the floor. The comparison is beautiful.
"A cold day" with the juniors focusing on Ikeda as the main point.
As mentioned above, it is a sequel to "Atsuhibi". The seasons are relaxing, the relationship between Ikeda, Kuniyoshi and Murozu also changes subtly.
A story that comes out of a small bankrupt, each human drama that develops.
How to draw emotions is very good. Dependently, politely, sometimes without mercy.
Ikeda 's straight line is not it, weakness and strength of Toyama confronting it.
Personally I want her to work hard and Ikeda oto (laugh). It would be difficult, but hang on. I want to support you.
It is the full story of the above three works, Kunichi. Smoothly dismissing good speech.
Three line glasses guy, but it is an interesting character that adds color to the work.
Initial early work "Unnamed customers"
The pattern is a little tough for drift.
Although I feel impossible for setting and deploying the stage, there are things that will lead to the present, how to show the situation in the scene and the emotional expression of the character and its gaze.
The scene where Saburo is using water was good. Even though it is only that, you can see various things.
Evaluation is "highest" than "very good".
It is the result of the end after having deducted "minutes without customers" and suffering from trouble. Perhaps it may change in the future.