[JP movie]FIRE FOR THE GLORY
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Ryuzo Kikushima Yoshihiro Ishimatsu
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2016/12/19 Good(+1 pnt) [Original Japanese review]
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Although it was an impression that was made at the same time as a work that was using a naval school as a unit, it was an impression that it was made at the same time period, but that is where you join the Naval Academy and join us and grow up as we work hard In the case of this work it was characteristic of the youthful thing that was drawn, but it was distinctive that she described the changes in the world in parallel with the growth of the hero.
What I felt more awesome than anything was the actor of the hero's role, from being a serious young man who entered the Naval Academy, he was growing strictly while being instructed by the instructor, It is drawn in easy way, especially as the story progresses, the look and feeling changes, and in a soldier and a late servant of a single servant, it seems that it is the same as seeing that it is a severe but incredibly thick teacher who trains backwards at a naval school I thought that it was a person.
Despite the fact that the description of the battle scenes was less war, it depicted firmly the human pattern at the Naval Academy and I think that the human drama-like aspect was stronger.
Rather, the melodrama before going to the battlefield as a war object is honestly subtle, but it was a good impression that there was not such a place in this work.
The evaluation is "better" than very good.
2015/08/21 Good(+1 pnt) [Original Japanese review]
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By the end of the war season (?), A certain movie starring Mr. Masato Sakai has been delivered in Gao (because it is until 24th, so is not it yet?), But "I fulfilled the path I once wished to the end "Han" blessing hot life. " This is probably the theme of this work. Maybe.
To the junior high school classmate who chose the way to join the army, the hero who plays the second generation Nakamura Yoshimemon wished to join the navy, but the irony at Etajima Naval Academy was the same navy soldier "Navy soldier Although it was drawn also in the school, it is not a problem of good and bad from modern sensation such as being strictly trained until the ascent and descent of the stairs, not having a pride and a sense of responsibility as an imperial soldier from such a seemingly great thing It was probably to say that.
The head of the aviation headquarters, that ogyan who later became the principal of the soldier school ....... who was embodying the conscience of the navy, such as calmly persuading his belief even if it was caught by a hawkish main theorist However, "It is Narumi Inoue who was still alive at that time regardless of what you saw. Thank you so much." If there are ten other people like this person at least in the Navy ....
I thought again but ... ...
Speaking of common sense, it seems that Yamamoto 56, who also knew that Japan could not fight with the United States for a long time, but the battle scene was somewhat sober, although it was not long been divided in length, How to use the sound effect is appropriate, there was a sense of urgency above a certain level.
Although the hero should escort the Yamamoto, he made him kill and death, and it became that the person who was going to have a feeling of humiliation that survived, but that conflict and a new duty as an instructor also triggered I guess that my own new answer was the last key.
It would not have been hard to imagine that childhood friend has become a widow or that students who revealed that they went to school because they wanted to learn English greatly shook his mind.
Especially against the latter, "Do not get angry if you want to learn enemy national languages 〓〓〓〓〓!"
His kindness was strongly conveyed although I encouraged him. And he himself .......
Although it was, Mr. Nakamura was feeling that further performance was being polished in the final stage.
It has been 70 years since the end of the war, but it is now such a thing that it is that they should not forget the "soul" of those who were scattering with belief.
Evaluation is "good" on the "very good" side.
2006/07/05 Good(+1 pnt) [Original Japanese review]
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The attraction of Daiei's war movies is, unlike Toho, which is too easy to rely on on the special effects side, in any case, I think it depends on being focused on human drama.
In Toho it was patterned as "Starring Mifune Toshiro", "Tsuburaya special effects", "huge ship", "fighter aircraft", but the strategy taken by Daiei against it was that he focused on human drama , I drew a good depiction of the military life Sibisa and the hardness, and in that sense I have a strong impression that it was a reality movie older than "Yamato of men".
After such a military life, I went to the battlefield, and so on ... and so on and so on and so on, but the way of capturing the values 〓〓〓〓〓nd wars unique to this work and Daiei is more reality than that of the Toho War movie It was a thing that touched a different viewpoint from that of a war movie that would not be free without descriptions that would tend to be flashy, by having things to do and show themselves of human beings' lives.
Even war was not carried out all the time (well, aside from the soldiers on the front line), and it was a bit of a touch to the point that the old troops were ... in fact.
In the scene near the last, the idea that many of those young people are in special circumstances ... also appears, and although this is a movie, in fact it is actually happening 60 years ago in fact It was a translation and it was said that it was realistic to severe rather than Toho from the point of view of war, armies, people in it, and it was said that it is unique only in realistic Daiei work (Well, gamera also has a strange meaning Then, there is Godzilla sort of real part.
Such a war movie, if anything, may be closer to that of an American movie than Japan, and I can also tell you the idea unique to Daiei who caught that part.