[Drama]AOI: Tokugawa Sandai

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Drama total pnts rank Rank 1,817in 2,479 titlesTotal -1 / Deviation 47.77
Drama avg pnts Rank 195in 295 titlesAvg -0.07=Normal/14 reviews
Drama rank of 2000 Rank 37in 42 titles
Statics of evaluation and Ranking
Reviews' statics
Post review by myself
Voice/Actor2.00(Very good)4
Music1.75(Very good)4
Character/Setting1.50(Very good)4
Graphic1.50(Very good)4
Learned something25%1/4
Hot heart0%0/4
Shed tears0%0/4
Made me think0%0/4
Information about this title

Jams Miki Taro Iwashiro NHK Takayuki Yamada Onoetatsunosuke Mizuho Takasugi Kazuki Yamamoto
Toshiyuki Nishida
Shima Iwashita
Fujita Okamoto
Shoji Oki
Ken Teraizumi
Etsuo Yokobori
Hiroyuki Sakamoto
Ryuichi Horibe
Ryuzo Hayashi
Joe Shishido
Hiroshi Katsuno
Taro Ishida
Satoshi Jinbo
Takaya Hashi
Shigeru Kouyama
Ikkei Watanabe
Kaneomi Oya
Natori Yukimasa
Shinji Nomura
Asumi Nakata
Tohru Emori
Keiko Takahashi
Hiromi Sakimoto
Reo Yoshitake
Taketoshi Naito
Masane Tsukayama
Isao Natsuyagi
Raita Ryu
Shogo Ikegami
Kazuo Kitamura
Hatsunori Hasegawa
Seiyu Arai
Ken Utsui
Fumiaki Sakabe
Kyoji Naka
Osami Nabe
Kazuma Suzuki
Takeshi Ishikawa
Taka Takao
Jyunpei Kusami
Tsunehiko Kamijyo
Shu Wada
Teruyuki Kagawa
Yasuhiro Arai
Yoshisada Sakaguchi
Toshihiko Miki
Daisaku Shinohara
Hiroshi Kamiyama
Kei Sato
Toshio Kurosawa
Shinichiro Mikami
Hiroyuki Watanabe
Keizo Kanie
Kazumasa Takemoto
Hideaki Tezuka
Shinji Yamashita
Osamu Shigematsu
Sasaki Isao
Kyouka Suzuki
Takayuki Sugo
Norimasa Tomiie
Shiniya Sakaguchi
Rokuro Abe
Ko Itou
Kiyozumi Honda
Hisaya Wakabayashi
Yasuhito Daichi
Masaaki Sasaki
Kihachiro Uemura
Shingo Hiramatsu
Mikio Shimizu
Teruhiko Saigo
Mayumi Ogawa
Hiroyuki Kinoshita
Ysumasa Oba
Junpei Morita
Baijaku Nakamura
Kazuko Asari
Machiko Washio
Rakutaro Sanyuutei
Japan Released:2000/01/09(Sun) NHK Sougou / End:2000/12/17
Opening movie (1)
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The below reviews are translated automatically from Japanese ones. To post your review to English version, please click here.
2016/06/09 Best(+3 pnt) [Original Japanese review]
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[good point]
Acting ability of the actors.
Characters appeared from leading role to supporting role. Especially I think that Mr. Ishida Mitsunari this time is Mitsunari which is coolest and has humanity among all the great river dramas.
Hummy full of actors' roles. Fukushima Masanori, Ishida Mitsunari, Shimadzu Toyohisa, Torii Motoor Tadashi remind me of this work first.
Power of battle, quality.
[Bad point]
After all the tone - down in the second half can not be denied.
It is somewhat concerned that the female team 's actors are getting too old.
[Comprehensive evaluation]
I think that it is a work comparable to the reputation "the last big river".
Although there are disadvantages, there are something that does not have much to compensate for it. How many times have you thought of seeing Sekigahara before as well as actors' directors and directors and writers of this work?

2012/03/05 Good(+1 pnt) [Original Japanese review]
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[good point]
A fulfilling cast.
It is convinced that the depiction of Asano families and sisters in this work will be cited when "Jiang" is broadcast.
Especially the eldest daughter is a woman's girl, a female fox (praising) facing Ieyasu played by Mr. Ogawa Mayumi appeared well.

Masahiko Tsugawa of Ieyasu role played a part in reuniting with Mr. James Mitsuki since "Masamune" but as the old-fashioned raccoon dressed in a raccoon, the terrible to show in a comical and stubborn attitude is the Nobunaga with Nobunaga I arranged the 〓〓〓and I felt a British god who also faced Shingen.

Mr. Toshiyuki Nishida of Mr. Toshiyuki Hidetada also said that as the couple's interaction as a couple is reminiscent of Hideyoshi's "Honori no Oshiki", while dignity is suppressed, the dignity is suppressed, the range of this acting power is still amazing.

[Bad point]
Gives comical & light interaction feeling floating.
The gap with a terrible scene was working with a good feeling, it is somewhat subtle.

[Comprehensive evaluation]
Mr. James Miki who succeeded in a monologue "monocular flower sect" challenged the group image.
This neighborhood is a sense of opposition to the masterpiece of the 1970 'country stealing stories' and 'flower god' (both the script is Yasuko Ohno) Cast team is also luxurious and the power of battle scenes is moderate.
However, it is painful for the tension to come down tonight every time the hero replaces Ieyasu 〓〓〓Hidetada 〓〓〓Ikko.
Although the indoor drama at the end of "Masamune" had a feeling of meaning that the man who survived the turbulent period of warring States was the later life of the man,
In the case of this work, such elements are mostly concentrated in Ieyasu and against the first half battle where he becomes the hero,
Although the hero who becomes the hero in the latter interior play is hungry for the affection of mother, although there is room for empathy transfer in contemporary sense,
Compared to Masamune who was also poisoned by her mother, I could not wipe her good bonbon feeling ....
Actually, the political play in the Tokugawa Shogunate founding period is more interesting for the main character, such as Toshikatsu Doi and Muneaki Yagyu.

The first half is "very good", the second half is "bad" and the comprehension is "good".

2011/04/23 Good(+1 pnt) [Original Japanese review]
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I saw until Ieyasu 's death.
I saw the river drama for over ten years, and probably go back to Date Masamune around.

Personally Ieyasu of Mr. Tsugawa was overwhelming anyhow.
The stunning raccoon doll which I can not imagine as the main character of Okawa was good.
Again, cunning like I thought that Ieyasu could not win is the best Ieyasu I have ever seen.
However, after Ieyasu 's death, it became hard to keep watching and I almost disappeared when I got into my house.
Well, as the early stage was really fun, so "good"

2011/04/22 Very Bad(-2 pnt) [Original Japanese review]
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A screenwriter is probably a person whom a family or woman was made to cry considerably.
I do not want to hear that I got money such as the winning group's pride.
This is the word that came to my mind while watching this work.

The content is the river drama depicting Tokushikawa 's way of living from the death of Hideyoshi to the era of Ikko.

Even though Ieyasu keeps making the child even if he is old he has a head with Tadaki as his son's head, his head does not rise to my father and married woman daily, plus my head with a thousand princess' Hidetada holding,
Ikko who has driven her brother into self-conceit due to the absence of morality that makes a nun as a side room and his own infant nature,
It was clear what I wanted to convey to viewers through the relationship between women in Tokugawa's third generation and their relationships with the family.

However, since Ieyasu Yoshimura 's foam crowded in Osaka' s club is over, we will continue to look at the elegant lifestyle of the winners to the end,
It was extremely boring.
Besides, the open mouth did not close in the sight that Ieyasu got rid of the gold and silver left behind by Ieyasu because of putting money in Toshogu, etc, towners and citizens of the city and Edo.

Evaluation up to the team of Osaka is "good", but since then it has become a big tapping in golf, it is "very bad".

2008/11/06 Normal(+0 pnt) [Original Japanese review]
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I understand that I wanted to paint Sekihara carefully,
Although it was obvious that it will gradually become fun when starting over there ...
Well, it was still fun when Hidetada was the center of the story ...
Sekigahara up to the highest from there until Hidetada death is good After that it is the worst so the evaluation is normal.

2006/10/22 Normal comment [Original Japanese review]
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The only thing that can be appreciated is that Ishida Mitsunari is addressing the role of "Mio's mistress of the stature" in other river dramas as historically (?
This may have been made because this work has made a point of presence even after Sekigahara. That said, in other works there is not much to describe Toyotomi's internal circumstances after the Sekihara and when it is called Sekigahara, it is the point that involves Mitsunari, the mastermind of the Dynasty and the West Army It is said that because it is called "Dian and Mitsunari, in fact is a mistress relationship", but in fact the place where this kind of hand with Dian is called Ohno, the son of Yodo's nanny mother is also a childhood friend It is said that there was a presence, in fact there is also a story saying that Hidenori is with him ....
Although Mr. Ohno is under Hideyoshi who is from Omi, who is similar to Mitsunari, while in Sekihara he was attached to the Tokyo army, I feel sarcastic.

2006/07/24 Normal comment [Original Japanese review]
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I think that I saw the last round and that before, but the story does not tell it especially.
In 2000 when this drama was airing, I remember that there was an event in Sekihara at the Sekigahara fight 400th anniversary and I visited in October.
Personally, I hate the 1.5th generation of Tokugawa.
I did not have much likable in the third generation, so I could not empathize to the drama either.

2006/07/14 Normal(+0 pnt) [Original Japanese review]
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It was the second time for Mr. Masahiko Tsugawa to play Ieyasu Tokugawa with a big drama. The first time was that "monkyuu Masamune".
However, I think that it became a strong character of something rather than that time. I bleed good and bad and intense desire etc.

In contrast, Hidetada, who is Toshiyuki Nishida's acting, was not drawn to his father but was drawn as a weak petty man, even for the gentleman who is the deepest. Is this influenced by the anecdotal that it did not have a side room of a living room in the primary room?

If it is something of Ry膃〓i's novel, it is drawn as a considerably hungry man ... Hey .....

Also, I liked the story of Mr. Nakamura Umega who was dressed as Mikuzaki Tokugawa. It is pleasant for the bargaining with the two families .... But it was too overkill to become 'Komon-sama' in the final round (bitter smile).

2006/01/03 Very Bad(-2 pnt) [Original Japanese review]
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A drama with a sense that just finished with wasteful use of actors.
The big drama itself started with the failure of this work and starring dramas with only young acting actress acting as a young man started becoming mainstream, so the low completeness of this work can be said.

Even though James Miki's screenplay was not entirely good, everything inside was not good, and although I think that this work is not a bad idea of 〓〓〓〓〓hanging the leading role three times in a year, it was still a ryosaku.

Speaking of Tokugawa Iemitsu, it is a conspicuous general who is more conspicuous towards the evil point than the good points (financial difficulties due to wrestling, isolation policy of overworking and reprisal of Christianity and Shimabara's turbulence), with no competence as its general It is good to say that it is less than Tsunayoshi of the 5th generals. Even though it was good to draw such a point, I could not forbid the discomfort.

Although this work draws a glimpse of the theme of whether to draw General Shogun Tokugawa ordinary people or to draw badness as a mecca, it is the book that could not be Ryosaku It seems that the definite advantage of the drama making of the work was missing.

2005/05/28 Normal comment [Original Japanese review]
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> You must do a configuration that makes viewers watch as far as to the end.

surely. Even though I was watching a certain week, it was because Ieyasu was alive.

> Since I'm going to do my 3 generations in a year, it is quite unlucky

Because it seems that there was also an opinion that it was better for him to broadcast it for two years also in "83 Tokugawa Ieyasu".
Although Sekigahara took advantage of the reflection which ended quite easily, "Aoi Tokugawa" put the emphasis on it.

Episodes that Iemitsu was doing a strike while Ieyasu also was fairly fun ..........
It is a feeling that Mr. Tsugawa disregarded Mr. Tsugawa and was appreciating sweetness.

2005/05/28 Worst(-3 pnt) [Original Japanese review]
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"If you are watching TV you only see big sumo wrestling or big river drama" An unpleasant substitute of politicians and authoritarian rolling as you can see the brutality of politicians and big players. It is better than the latter, but clearly speaking, when watching in real time there was no good impression.

Ieyasu 's Tsugawa Masahiko is a cadre. Sekihara is also nice. However, it is boring to say clearly after that. Hidetada never had a bad impression, I think Toshiyuki Nishida is also a good actor, but Hidetada of this work was a man who only felt Hetarrepu.
Clearly speaking, the treasure's skepticism. And the best neck would be Tokugawa Iemitsu. Well, what do you call attractiveness? Well, the actor was also acting skill that could only be said to be unpleasant. In such a meaning, it was a substitute that I wanted to destroy the television.

Well, if you only have Sekihara you can do it "good" but after that it's like something like a firebag covered with debt that ran out of savings.

2005/03/23 Favorite comment [Original Japanese review]
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This Aoi Tokugawa Shogun's Ashikaga Shogunate version, "Ashikaga Taishi" (The era is the de facto regime control of the 3rd year of Junpei ~ until the opening of Hiji Trade of 11 years of age.The title was arbitrarily attached by himself I'd like you to broadcast it someday in a big drama. Yoshimitsu's hiding of the imperial prince (as Mr. Akira Imaya is arguing clearly, but there seems to be no direct evidence.) Although handling of the plan will be a bottleneck .............

2005/03/23 Very Good(+2 pnt) [Original Japanese review]
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I only saw the person in front, the part of the battle of Sekigahara.
I drew it finely and it was fun. The power of the battle is reasonable too.

But then, I did not care enough to watch it later.
It is a failure that brought the climax first.

2005/03/23 Bad(-1 pnt) [Original Japanese review]
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Although it was good in the first half, the last half was particularly badly out of shape and it was not good.

After all it is one year and three generations are tight.

2004/12/30 Very Bad(-2 pnt) [Original Japanese review]
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It was a drama that I learned in various ways.
Fuku which is a nanny mother of Ikko had been said to be said to have a nice personality, but in fact it was very cold.
Because, Fuku told me that Ikemitsu wondering what to do with his younger brother 's chief, he will truncate without hesitation.
There is no choice but to be scary.
It was a delicious drama that was doing the bad side of human beings.
However, in the second half, I could not bear to see the expression which beautifully Ikko was extremely.
I thought this was also a ugly aspect of human beings.
The last person was too far on the TV side too. Because it was as if there was a thing to force the audience to be impressed though it was forcibly.
I wish I had made it objective just as I did in the first half.
It was kind of betrayed.

2004/12/14 Normal(+0 pnt) [Original Japanese review]
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Although the age difference between some roles and actors was intense, I felt a little discomfort,
It is better than a strange historical dramat that is flowing in the traditional Taiga time in recent years (bitter smile).
The overall level may be as good as "very good", but I do not like Tokugawa so much so I will deduct it.
(In spite of Ieyasu, I can not have a favorable impression on Hidetada and Ikkon ... ...)
It was not such a serious scene, but what remained in the impression was Ogada's grandchild "Gifu Nakayonin" It is the falling castle of Gifu Castle, which was the castle of Oda Hidenobu.
As Oda family's army flags who once won over the world were defeated, there was a painful thing for me as a favorite of Oda ... ....
Well, it can not be helped because it is a historical fact that can not be moved ... (To that extent, I enjoy the history of if in history SLG.
Although I derailed slightly, it was an interesting production that set Mito Kotobuki as Mito Komonomi as a commentator.
I think that the Mito clan who was a model of Assistant and Mrs. was together, but it was a woman who played them.
I have heard that it is a directive that expresses the physique difference between samurai in the Warring States Period and samurai in the Edo Period,
Personally I feel like I was able to appoint an actor with an ordinary smart image.

2004/12/14 Good(+1 pnt) [Original Japanese review]
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From reflection on Showa 58 work "Tokugawa Ieyasu", I was focusing on the battle of Sekigahara. Although Otani Yoshinari was asked by Mitsunari Ishida to participate in the scene in the impression, it was worth seeing.
However, it was also said that Iwasaki Tsugawa existence was the miso of this work.
Ieyasu Takita of "Tokugawa Ieyasu" was naturally good, too,
It is this Tsugawa Ieyasu that is closest to the image of Ieyasu after the middle age. "Abandoned child" The scene which fought with Hidetada who is Toshiyuki Nishida about treatment of Matsudaira Tadaki was a masterpiece.
I could not say that there was no mistake,
As a whole, it seems that it was a must for the one who likes history.

2004/12/14 Good(+1 pnt) [Original Japanese review]
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How did Tokugawa Ieyasu to build the cornerstone of the Edo shogunate until the grandson 's house light,
Works drew from around Sekihara 's battle.
Hit maker.James Miki's original work.The expectation has risen above Yaya as it is a screenplay ... ..........

A luxurious actor team who gathered this cast as well.
In the work information, we focused on famous battle commander and military commander,
There are other entertaining actors that can not be written.
Again, it is the ability of Mr. James Miki to collect such actors
It will be the gift of NHK's brand power.

And, although it is the content of the essence ...,
Unfortunately it was in the midst of the exam war,
I am sorry that I could not see the time when the battle of Sekigahara I wanted to see most.
The grievous expression under thinking whether to go to the east or west of Kobayakawa Hideaki (Suzuki Kazuma) was very impressive.
It is best to cast the island near Kimono Natsuyagi. Warlords General, Tadashi Masaru were playing well, and it felt in my heart.
Toshiyuki Hosokawa also staged Otani Yoshinobu.
Naturally, Ieyasu Tsugawa is also a director.
It would not be an overstatement to say that there would be no one lineing him if Ieyasu of Sekigahara was played.
However, miscasting is clearly noticeable even when it is "Yoshimune".
Toku River Hidetada is 21 years old during the battle of Sekigahara, but this is Nishida Toshiyuki.
Yodo is 33 years old, Mayumi Ogawa is.
Shima Iwashita is the sister 's bell.
And more than anything, while drawing under the control of the Edo shogunate in "monotrary Masamune", while painting Date Masamune burned with ambition to take off the heavens,
Masamune Date Masamune has turned into casting as soon as it is an old soldier without any ambition.
What are these miscasts ..........
Even if Iwashita Shima told "I will give birth to an elephant", it is not convincing at all.

Irrage especially irritated in the latter half by brothers of Ikkon and Tadayoshi.
While placing the main character as Ikkon, it was a script that seemed disgusted against Yokomo.
Because Ikko received education as a general since it was born,
In a bad way of saying, its arrogance, selfishness was surprising to the eye.
Hidetada's falling sever, Mr. Masayuki Keiyaki is heavily used, his youngest brother, and he drives Chada into his own blade.
As a born powerful man, only a sense of dislike remained in the household which lost his baby brother to preserve its power.

Although I have written a lot of people in bad places,
Evaluation is by no means bad.
It was thoroughly historically faithful, and there was no heny leggings, so it was a dying story to history lovers.
It will be positive as a comprehensive evaluation.

By the way, Akira SAITO played Kazuyoshi Yamauchi, but in the big river of the year after the coming year, Takaya Uemura plays.
A cast that makes us feel like this is whether it is a leading role or not.
Also, the picture of Shinpei Morita outside of Professor Kanpachi is precious.