[Anime]Ushio to Tora 2015

  • Hot heart
  • Friendship
  • Interesting
  • Cool
  • Impressed
  • Scareful
  • Shocked
  • Enjoyed
Other media: Game:Ushio to tora / Comics:Ushio And Tora
Anime total pnts rank Rank 1,864in 6,335 titlesTotal 10 / Deviation 49.09
Anime avg pnts Rank 1,228in 2,835 titlesAvg 0.91=Good/11 reviews
Anime rank of 2015 Rank 44in 257 titles
Statics of evaluation and Ranking
Reviews' statics
Post review by myself
Story1.56(Very good)9
Hot heart100%9/9
Shed tears22%2/9
Made me think22%2/9
Learned something11%1/9
Information about this title

Kazuhiro Fuzita SHOGAKUKAN
Inoue Toshiki
Segawa Eishi
Tasuku Hatanaka
Rikiya Koyama
Mikako Komatsu
Kiyono Yasuno
Keiji Fujiwara
Yui Makino
Daisuke Namikawa
Yuuichi Nakamura
Aki Toyosaki
Masaki Terasoma
Risa Shimizu
Shinichiro Miki
Yuuki Kaji
Yuuka Nanri
Ai Kayano
Fumiko Orikasa
Maaya Sakamoto
Nana Mizuki
Yoshimasa Hosoya
Ryouta Ousaka
Ayahi Takagaki
Nao Nagasawa
Kana Hanazawa
Mamoru Miyano
Megumi Han
Shouzo Iiduka
Hisao Egawa
Toshio Furukawa
Japan Released:2015/07/03(Fri) 22:30-23:00 Tokyo Metropolitan Television Broadcasting Corp. TV
Official sites
1. http://ushitora.tv/ (Translation)
Official Twitter
1. http://twitter.com/Ushitora_TV
Promotion video (1)
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The below reviews are translated automatically from Japanese ones. To post your review to English version, please click here.
2017/01/15 Very Good(+2 pnt) [Original Japanese review]
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Original unread.

I thought that it was an old rebroadcast with a nostalgic title, but it seemed rather recent work, so I was interested and I watched it.
I have memories of glancing at the time of serialization, but it is the impression that I could not like the main character.

I think that it will be a long length as a recent work of 39 episodes.
Still, I felt the packing feeling, the speed of deployment, which I thought was a bit crowded in part.
Writing the current situation carefully in the beginning, in the middle is the place to dig in the origin of the persons and items related to the story and connect to the final stage,
Although I am pace fast, I could look forward to next time.

I think that it is a classic or royal road, or development with stability feeling without feeling stress.
Seriousness is inevitable to be sent out in battle as a keynote story, but I was able to blot in a natural way.
Actually it is saved, but it seems pretending to be saved. . . Well there is no such thing as a ball that is not good like that.
Basically it is a story that will endure depression, while showing excitement and down every episode,
I thought that the speed of deployment was good or whether the point that does not drag in a negative situation leads to easy viewing.
A large group of heroines that I helped was a little laughable, but I think it was good to push the place to help the hero with everyone.

Attractive heroes of "Tora" and "Ushio".
Although I thought about a strong strong youkai with a common impression as before, I thought about a hero that was actually not as good as it actually was,
Each has past, experiences and growth, and when I watched it changed, the impression changed.
In a scene in which "Ushio" which is not so cool as it looks gives a human emotion, it looked cool in the other way.
Even in the dialogue that "I wonder how many girls can stop crying tears" per 16 episodes, I think that the goodness unique to him, full of humanity, has appeared.

I enjoyed the battle of Las Boss from the last stage with a reasonable length.
In developing to re-appear a person who exited, while recalling each episode, while working and disappearing in a hurry,
And it was very good that those who remained were not more than necessary to embrace. The battle fought excited.
The decisive battle itself was not a deathblow technique, but a zen questioning part was mainly, but it was a theme through a story and it was a convincing development.
It was the ending including rash boss and sadness, but I think the neat ending was very good.

[good point]
Luxury voice actors. Although it is commonplace, I think that the members of the sub-character were also very good, as well as veteran performances throughout the whole story.
Especially Megumi Hayashibara's "white people" was a wonderful acting including fear, transience and madness.
The main character "Ushio" cv Hatanaka Yu was a feeling that the daily part was too adult to present yet,
Where to bring battle scenes and feelings was very good.

Gag scenes sandwiched among serious design is easy to understand and kind design where the tone changes.

Service scene. There are never many or meanings, but it is originally such things.
On the contrary it was fresh that the story was not stopped but screwed in without flameless.

[Bad point]
Whether there was a little more fire-fighting place of the human side other than "Ushio" in the part depicting the battle between the chemistry and the human beings.

Besides "Tora" and "Ushio", he is also looking at a lot of superficial tsuna to the stakeholders and the heroine, which makes it a bit painful.

[Comprehensive evaluation]
I thought that there was a plunge into the theory and consistency of the setting part, but I was not bothered if I took a story properly.
Personally, it is easy to see because this length can concentrate on the story and it is easy to see, but since the original seems to be quite long, there seems to be a part that was not animated. I wanted to read the original work if there was opportunity.

2016/09/13 Very Good(+2 pnt) [Original Japanese review]
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It was a feeling that the early stage was mediocratic, good or bad, I was watching somehow, but it got excited all the way from the area where the latter half Hakumen resurrected and pushed up the evaluation within myself.
Anyhow, the power and impact were amazing, there was something intense that it seemed like it was going to stay in memory with the fear of facial expressions and presence.
There was a distinctive fear that I have not seen much in other works in this neighborhood and I was attracted only by how to make facial expressions and I was able to make enough original colors so it felt like I pulled my heart down .

There was something interesting which was drawn carefully such as how to make characters and depictions, and the basic story is straight and the world view is also solid, so personally I feel that it is so interesting until the second half, I did not feel it, but there was a reliable thing that will not crumble and I could watch it until the end.

There was also a hero and a goodness of a tiger, and there are also characters and relationships between these two people, so it may be said that the work did not shake or the axis did not blur, and because it is a child, there is pure merit and it is an adult's I also thought that I am drafting as a message nature whether I compare it with a character or not.
It is possible to empathize more than it is, and it can be convinced why people come to the hero.

Although there might be a case because it is an old work, there was something that it felt that it felt that it felt that I saw a pure royal work for a long time even though it was romantic feelings.

I think that the voice was consistent overall as well, especially the main character and Hakumen were good.
Although the hero has a stinky smell when it is a child, it was a thing that remained in the impression as it was tasted out with a unique habit of how to put intonation.

It seems that it was an ordinary good work if the story also finished collectively.

2016/08/19 Good(+1 pnt) [Original Japanese review]
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[good point]
I can not be satisfied honestly, but I am glad that it was still imaged
Ancient Chinese edited: It was in good shape though it was in a hurry
Latter half: Early in the first half there was a cut episode that is all made to nod for this reason, the arrowhead is running fast, but in the hardest time it seems perfect to think that it can be said perfect
Fire brother: Although it is hard to understand because it is a momentary depiction, although the role of the eastern chief and the shinjin are switched in comparison with the original work, it was rather rather natural from the composition of the animation without the western part edition

[Bad point]
Overall too quickly: Although the relatively short story of the early stage did not feel unreasonable yet, it will accelerate from arrival in Hokkaido to extraordinary, traditional candidate version and Kamuikotan edition, around Kirio edited digestion Preferred There is not much tempo and nothing
Nishigoku Yokai compilation: Marukumaru cut, moreover it appeared normally from the beginning of the second half, apparently it seems that the Nishigoku Yokai compilation itself is not "not originally occurred" but "not just drawing", but the original unread reader is certainly " Who is this guy and what do you think

[Comprehensive evaluation]
Although I think that it is useless to refine the original read episode and there is no dissatisfaction in itself, although cutting the "Toyako" episode where one end of the secret of the beast's spear becomes obvious, There is no effect on mirrors and "fools" are around Choice is subtle, and it is somewhat deadly to say that Nishikokai youkai editing is not round circle "JoJo" who was doing a little while ago is honest It is regrettable that it is supposed to be more conspicuous because it was polite to the exaggerated place As a result of making animation of manga and light novel works randomly, as a result of deletion of animated items, It is also the point that I want to feel as if I pulled out old work

Although it is close to "best" if it edits at the end of watching and listening and re-posting only in the latter half, although Neck is not playing as an image of the West-country youkai, but it is said to be a halfway If it is ranked how to do it, the latter half is to say that it is not anticipated that the West-country youkai originally existed in the first place to say that it is to develop it differently from the original entirely Personally thought that it was ants as a way of thinking Of course the original deployment was done and the explosion died Although there are a lot of works and there are risks of course, if the original author wrote down, I think that it was possible to compose a story where the readers could somehow compromise even if it was already read as "I am different from the original work ..." However

If you try to reproduce the original perfectly this double will probably not be enough even if there is a number of talks, but among them it will probably not have respect for staff who have managed to devote priority to episodes and managed to finish it If you can secure the number of satisfactory stories with this staff if possible, and want to do it from the beginning

2016/08/10 Good(+1 pnt) [Original Japanese review]
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[good point]
I think that drawing, casting, production will be sufficient quality if it is late night animation. I have to summarize that large feature film in 39 episodes .... If that level can be kept on that limited scale, I wonder if it can only be said that it is pure.

[Bad point]
Everyone is written ... after all ... you saw the complete version, are not you? Even though the scale of every episode can be short (as I wrote in 〓〓〓 even if the scale was steadily cut down for this staff, I made a good one properly) ... All the story I wanted you to make a picture.

"You dried out there", "The day I came with a swing", I wanted to see it with a moving picture by all means.

I forgot to see what I was watching every week before the interruption ... before arriving at me ... (bitter smile). Just a while ago, I watched only the last episode on recording .... Hanashi on the way I lost it much, but still I was made to cry after all.

"I already ate it."
"I still cry when I ask a hamburger."

[Comprehensive evaluation]
For the time being, it is a work that I can feel like seeing it again through DVD.

2016/06/29 Good(+1 pnt) [Original Japanese review]
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[good point]
Drawing. I think that I can faithfully reproduce the original picture.

The main character is as image and no complaints.
Mr. Nagao Wakamoto (red board role of OVA) to Crimson,
Mr. Sasaki Sasami (role of OVA's tide) as role of Rama,
Chisel casting was also good.

[Bad point]
As I have been told in many places, omitting the original too much.
Since there are many good episodes also in parts not related to the main line,
The excitement of the final battle is only when there is accumulation to that extent, so it feels unsatisfactory when reading the original work.

[Comprehensive evaluation]
Although I was happy to have over 10 years of animation, when I heard that it is 39 episodes, I despaired.
It was understood at that point that episodes not related to the main line were omitted.
Oh, "You are cute in there" "Snow disappears in the dawn"
"High speed eater" "day when we swing"
I wanted to see you.
Quality is high as much as not to be excessively high.

2016/06/25 Bad(-1 pnt) [Original Japanese review]
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[good point]
Character is a fun of friendship with a good youkai Fun of a new depiction original It is good that individual OPs and EDs are uniquely offering a unique atmosphere

[Bad point]
It seems that the second half of the production did not match the work, such as patterns, shades, etc, where convenience development stands out.

[Comprehensive evaluation]
I like the atmosphere, the view of the world very much, but it seems to be overwhelmingly powerful compared to the old OVA.
It was fun but I felt the feeling that it was kind of boring.
As I was expecting it will be a disappointing evaluation.

2016/04/09 Very Bad(-2 pnt) [Original Japanese review]
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[good point]
I feel like I was waiting because I wanted to animate until now.

[Bad point]
Anyway, omitting the story unlike the original.

[Comprehensive evaluation]
Although I expected it, it is obviously an animation of the sheep dog meat if I open the lid.
Although I enjoyed it the first time, I overestimated the story, I got bored from the middle stage of the first stage.
Ushio and Tora were very funny in the original, so do not skip it so much and it is an anime you want to see over.

2016/01/10 Normal(+0 pnt) [Original Japanese review]
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[good point]
The battle scene has a sense of speed
The atmosphere of the blatantness of those on the white surface was out
Tiger 's voice was hooked

[Bad point]
Serifs, directing when you see it now is quite old - fashioned

[Comprehensive evaluation]
Since the manga was reading at that time in real time, I listened to as an animation and thoughtfully watched. However, if it is fate of the royal road battle thing, if you watch it in the present age, characters, lines, directing etc will be seen as old fashioned things a long ago.

It may be nostalgic for the old fans as it is faithful to the original if it is caught positively, but the exchange of tide and father, Tiger's interaction etc. should be arranged more contemporaneously, new fans are hard to acquire.

I think that the battle scene was good because it became dynamic and speedy animation. Even in manga, there was a force that did not exist in other cartoons with a technique that boldly used commentary, but this animation was fully considered in this animation.
Also, although it is a little glow portion, the eerie feeling that the feeling of the thing of the white surface was also felt in the original, the devastation well came out. When I was a kid I remember reading memories that I was quite scared of now and it is now nostalgic.

It seems that the continuation will start from April 2016, but I think that I will read back manga, perhaps if I watch the rest.

2016/01/07 Good(+1 pnt) [Original Japanese review]
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[good point]
Ushio and Tara are still interesting.
Tiger's voice actor is pretty good. It was as per the image of the Tiger.

[Bad point]
Unfortunately OP and ED.
Was it packed quite a bit, it came up with excitement to the climax.

[Comprehensive evaluation]
Making cartoon animation which was once serialized by Shonen Sunday. I think that it was originally a long story, but because it was pretty packed content, I did not feel like it would be exciting every time I talk one by one. Episodes of Kilio and Kuwana were my favorite stories in the original, but I wanted it to feel more distorted by fear.

There was something imminent about the horror and hopelessness of the people on the white when flying to ancient China and the obsession of the birth of the beast's spear. I think that this area could express the original properly.
Moreover, Asako and Mayuko are more cute, and I think that I wanted a scene where Mr. Masashi was more active.

I finished watching everything.

The 3rd cool OP was good. Surprisingly it was nice.

After all it was overloaded or it was too much time and I feel that the first half is indigestually digesting. There was a somewhat dizzy place because there was something not connected at all as a story at the storm of cutting and stuffing. But when the decisive battle with the white face starts, it gets excited more and more.
And the relationship between the white face and the scallion, the beginning of the front tora rather than the spear of the beast, made the story warm. And the last of cried.

I thought that it would have become a masterpiece if I could do more thoroughly.

2015/12/06 Very Good(+2 pnt) [Original Japanese review]
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[good point]
The tides are moving Firmly performing facial work
The image of OP is wonderful

[Bad point]
After all, the Tsubarahara reader feels incompatibility When it moves it moves, but it may be discouraged if you look at OP

[Comprehensive evaluation]
Though it goes crisply due to the problem of the scale, it is fairly interesting I want you to read comic books of fun for those who knew Ushio and Tora for the first time with this animation for a moment (snow disappears at the dawn or something)
I might buy it if you put in a disk or a dawn of eternity

2015/08/17 Best(+3 pnt) [Original Japanese review]
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[good point]
Tempo is good (early).
Dynamic OP which pushed lyrics to the whole surface (It is fun that lyrics of OP songs themselves put tsukkomi in the story).
There is grotesque but there is good (there are scenes that seems to be traumatic for those who are not good at gros).
There are ups and downs such as comedy times and serious. Dramatic times, so do not get bored.
Scary stuff, cute stems etc, the facial expressions change fun.
We also have a cheerful scene.

[Bad point]
Almost still picture other than CG.
I am sorry for the story that was cut rather than animated all the original story.

[Comprehensive evaluation]
I love the original, so it's impressive that even though the cartoon original was animated again,
I dared to want it, I wanted the ED to incorporate more animation.
The painting quality is just like the original and the tempo of the talk is also good with no finished feeling at all at all, so it is the highest rating.

2015/07/06 Favorite comment [Original Japanese review]
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Impression that broadcast time zone and number of talks are disappointing.
Original 1 episode, compared with OVA.
beginning. Like OVA, I thought whether a death battle of Tora (Nagiri Maru) would be drawn with a samurai who is drawn in Chapter 2 and whose details are told by Gaiden later,
Daily life of the Sodei family as originally, preaching of the rainy season (however, during weekday breakfast).

Rather than a letter, directly from purple rain after seeing off going out of the woods (before school).

Taura "Uchuu eat absolutely, remember it."
It is as the original, but it seems that the Tigers abused others '' Umu '' because it was only at this time and should have changed.
(I can not see the long-term serialization and the setting is not settled, unusual feeling unique to the early stages of the original, in chapter 4, only once, the first person is my).

Purple rain "If you put hands on the Chinese Manju in the fridge," kill "" 〓〓〓"then" Chinese Manju in the refrigerator "
The tide "Komei" commit suicide "〓〓〓quot; Become crucified there for the rest of my life "!
Whether it is regulation on broadcasting or slightly changed lines.

After that, the original development that the daily scenery in the school after the first chapter is drawn.
Because it was not a problem since the second episode?

The tide hands on Chinese manju,
Asako's hands are Chinese-related books,
Do these descriptions are the fate of Inoue screenplay?

The next time you will be disconnected from the liquid crystal on the TV.
Like parasitic beasts, the stage changed as well?

It is certain that there are momentum from one talk though there are many anxiety points.
I want you to go straight without declining it until the final story.
However, the number of arrowhead stations is short.