[Anime]THE IDOLM@STER MOVIE BEYOND THE BRILLIANT FUTURE !

  • Cute
  • Friendship
  • Interesting
  • Shocked
  • Enjoyed
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Anime total pnts rank Rank 1,754in 5,916 titlesTotal 11 / Deviation 49.12
Anime avg pnts Rank 968in 2,742 titlesAvg 1.10=Good/10 reviews
Anime rank of 2014 Rank 67in 268 titles
Statics of evaluation and Ranking
Reviews' statics
Post review by myself
Graphic1.33(Good)12
Music1.25(Good)12
Character/Setting1.00(Good)12
Voice/Actor0.92(Good)12
Story0.67(Good)12
Cute75%9/12
Friendship58%7/12
Interesting50%6/12
Shocked42%5/12
Enjoyed42%5/12
Brave33%4/12
Made me think33%4/12
Impressed33%4/12
Shed tears25%3/12
Hot heart17%2/12
Sad17%2/12
Beautiful17%2/12
Funny17%2/12
Moral8%1/12
Sexy0%0/12
Romantic0%0/12
Scareful0%0/12
Cool0%0/12
Learned something0%0/12
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Information about this title

BANDAI NAMCO Games Kubookatoshiyuki
Atsushi Nishigori Takahashi Tatsuya Takao Noriko Mamoru Kanbe Mishima Syouki
Hiromi Kikuta Ryuichi Takada MONACA Toba Yousuke NAMCO BANPRESTO BANDAI Lantis Bushiroad GREE Ichijinsha MOVIC Dwango FrontierWorks Inc.
A-1 Pictures ANIPLEX Tokyo Broadcasting System Television, Inc. Nippon Columbia
Eriko Nakamura
Akiko Hasegawa
Asami Imai
Mayako Nigo
Azumi Asakura
Hiromi Hirata
Simoda Asami
Yumi Hara
Manami Numakura
Naomi Wakabayashi
Rie Kugimiya
Chiaki Takahashi
Jyuri Takita
Houchuu Ootsuka
Kenji Akabane
Ibuki Kido
Yui Watanabe
Miku Itou
Sora Amamiya
Shiina Natsukawa
Asakura Momo
Takuma Terashima Daichi Kanbara Yoshitsugu Matsuoka
Mitsuaki Hoshino Yuka Keicyou Mikutsu yuko
This description has the part which was created by referencing Wikipedia, so the licence of GFDL is applied to this description.
Japan Released:2014/01/25(Sat) Movie
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The below reviews are translated automatically from Japanese ones. To post your review to English version, please click here.
2016/06/22 Very Good(+2 pnt) [Original Japanese review]
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I have never seen the TV animated version that was broadcasted long ago and it was almost an outsider who was only viewing the spin-off work "Petit" currently being broadcasted in Ultra Super Animation Time Frame However, I could still enjoy it without problems.

Probably the hero who grew up as a one-man idol by extension from the TV series, this time with the backdancers wanting idol who will dance together on the stage until the process of successfully making it successful through joint training camp and harsh practice I draw it with a hot rookie-like development.

The severe back side of the gorgeous idol industry seems to be a glimpse of everyone's envy, much less than the suffering of the hero who was supposed to play the heavy responsibility as a leader of the group composed of about 20 people together with back dancers is also drilled down Also, as for the area around here about the accusations concerning Stand Play are also depicted firmly, there may be places where pros and cons can be divided by people, but even in the sense of excitement in the final stage, it brings out a tense sense of tension I guess it was a big contribution to.

It was a difficult point that the members of the back dancerside were uncomfortable to grasp at a moment.

Evaluation is "very good" I will.

2016/04/03 Normal(+0 pnt) [Original Japanese review]
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[good point]
"Sleeping princess" at the beginning
A pain like "TV version" "Yakiri" is gone Lost in Hollywood Miki's preferential treatment Kitoshawa Shiho's presence. "Do you have meaning to make friends beyond necessity?" The gentleness of honor who cuddles with Shiho such a lone wolf Assertion that Shiho should concentrate on completion of live rather than relief of dropouts Last live scene

[Bad point]
There are many wasted scenes on the long scale. Specifically, this work is a flow to execute what I decided at 〓〓〓- 〓〓〓to explain what to do and what to do next But in this it is metabolic and the tempo is bad. It is not possible to draw subtraction. If you are a good director, delete 〓〓〓and suddenly draw from 〓〓〓scene. And while drawing the part of 〓〓〓 explain 〓〓〓contents. By doing this, the density of the script will be dense, the tempo will be better, the scale will be shorter, and the amount of work of the drawing staff will also be reduced. It's a good thing to do.

Scene where Shiho apologizes to Haruka and Kana. Whatever you have to apologize. Shiho has not done anything bad. All that Shiho told Haruka is a just argument, there is a problem with Haruka who does not depend on it though it is a leader. It was his own income that Kana was dropped out, not Shiho's responsibility. I can not understand why Shiho must lower his head. You can feel the malice of the producer by whom Shiho wants to make it a villain. Haruka says "I think that way of thinking is different for each person" It is hateful to have defense line

I made fatten Kana. Although it tends to be common in girls of age, it is not good to do it with idol animation. I have crossed a line I should not cross

[Comprehensive evaluation]
Although the content of the TV version was not good, I did not expect it, but it is better than the TV version, it is a half comedy in the first half comedy and a double composition called the second half serious. Although I tried to defend Shiho in the above evaluation that I did not escape from the serious development tend to be shunned by girls 'animation, if I was Kana' s stature, it would be appreciated that there are companions who will reach out to the helping hand I do not mean to deny the fellows' bonds themselves. Do not hold on to everything alone and consult around. I want to evaluate the theme

2016/03/23 Best(+3 pnt) [Original Japanese review]
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[good point]
A powerful live scene portrayed using the quality of the movie version.
Haruka's worked hard, taking advantage of the experience of the TV series.
Iori and other idols also have delicious places.
The appearance that such idols enjoy will make me feel warm.

[Bad point]
There is a person who was air in back dancer group.
The attitude of Shiho and the problem of Kana are divided between pros and cons.

[Comprehensive evaluation]
It is a nice story, a theatrical version, a good story.
Do not palm back.

2016/03/05 Very Bad(-2 pnt) [Original Japanese review]
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[good point]
An attempt to be making a talk as a contrast to the growth of idols and TV series.

[Bad point]
It may be due to budgetary circumstances because it is a weak production, but I could not understand the need to appoint an idol egg to a back dancer on the big arena. I understand that there may be the above attempts (maybe), but I thought "Why?" "Can you show the growth of the characters in a different way?"
It is unnatural that the back dancers are too much responsible for Haruka, which still has little experience, although being successful as an idol, that the back dancers can not keep up with practice or become troubled by youthful troubles.
Overall the producer and other adults trust the idol too much, too much responsibility. Chunka is still a teenager and if it does not go well and if it does not finish by the live, what will it be like as an adult working? Because it is a weak production, I understand that the responsibility for carrying idol is heavy, but there is a limit.
I felt inequality because I have a character that does not talk much.
Even if a producer travels to Hollywood, it seemed that he did not work so much that he feels as if he / she does not have to be responsible for idolers this time as much as this.

[Comprehensive evaluation]
I thought that the subject was good but I could not cook well.

2015/10/13 Best(+3 pnt) [Original Japanese review]
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[good point]
It is crying with Haruka, which is painting and content and also makes me cry, with songs

[Bad point]
None

[Comprehensive evaluation]
P can not do bad evaluation

2015/08/08 Not favorite comment [Original Japanese review]
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If the related work of this work is neither an original work nor a television version broadcast a long ago, except for the place where the recent rebroadcast was done memories are thin so comment only

Well, I guess that I can describe how to do my best despite the kettle.
Because it is a story of the traces of the TV series, I feel that I am also growing from each character, and even though there are superior existence and something like that before then, there are not existence like a junior like a lower one so I thought that it was a new spice I will.
Also, I think that it is a way to pass flowers to Ritsuko and forget the person who liked her as an idol for a long time.
The atmosphere of the first half is also faint and it's lively and smiling, but .... Then the screen keeps getting dark for several tens of minutes

However, to be honest, I thought that it is not a conclusion that producer's parting and junior saying should be done in parallel.
Or, the meaning of going to the producer Hollywood Most of us did not get involved with it ... ...
In the first place, though it is only a story of getting away for a while, it seems that it seemed like a parting change like a change in affiliation ... ...
I was pulling a dark story but honestly ... ... I also wanted to see if I could put together a slightly darker part.
I did not measure the time ... ... As a story I thought nearly half was dark, there was a place where a growing character pulled a junior, but it is still damp.
Well, it may be said to be catharsis by solving with a lot of kettles, but I think some people seem to be crying.
The live scene is not going to say CG or something else, so it was good not to know the opinion that would come out if I looked it up on the net (although it may have been modified since I saw it on a rental basis)
...... Junior's turn is ... ... It's obvious that it's not obtrusive because it's a back dancer, but the action is too plain when you think about the story so far ... Although it was a Kanji exchange that something was really difficult, Although it may be difficult, I felt that the talk was not balanced proportionally.

There was somewhat different feeling from the style I was asking for.
Even though I tried serious thought at Cinderella Girls, I thought whether it was a way of doing things, even though it was not bad.
I also thought that it would be better to do it a little bit more with TV rather than a movie.
Somewhat it is not because there is not a character who is breaking other than Chunka.
Junior colleagues also felt that only the offspring escaped noticeable.

However, since I do not know the memory of related works a lot, if it remembers small neta, original work and TV version from a fan, it may be touched with a production that is paired, so as a standby Since it is a feeling that there is knowledge first look, I will evaluate only comments.

2015/04/17 Very Bad(-2 pnt) [Original Japanese review]
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[good point]
The early 765 professional figures are looking at peaceful figures I am watching the cheeks have gone loose.

[Bad point]
A content whose meaning is unclear as to how to overcome discord with back dancer 765 The viewer who wants to see the professional character 's success puts it and it eats off the bankrupt.
Besides, the back dancer has only to do a real laugh at a real jump with a vertical jump so that it is only an easy job, so I have no choice but to laugh.
Originally it was not such a thing unless Akabane P said to add back dancers, but for some reason I felt insane in pressing business responsibility to Haruka and working for business English conversation.
Was there something meaningful about the Hollywood training of Akabane P and the episode of Yara? It seems that it would rather be better for 765 professionals to disappear.
The live scene which is the climax can not help saying that the quality is lower than the TV version and the drawing is rough and the microphone that the character should have disappeared and it is variously complicated and disappointing. Although I introduced CG so much, I got the impression that it was obviously inferior to the game version. I think that it is only moving the camera and I think that rhythm expression by dance is becoming unclear.
Were not you able to do a little more with the drama enthusiast? It was like a free material BGM. It also makes me feel that I am disturbing the dialogue. I felt the volume a little big.

[Comprehensive evaluation]
Unfortunately we can not help but say it is really poor content. Although it was premised on the appearance of sub characters, it might have forcibly created things that seemed like stories, but I felt something thin.

2014/10/11 Good(+1 pnt) [Original Japanese review]
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[good point]
The painting will be beautiful after all as it becomes drawing or theatrical version

[Bad point]
Haruka solved every beautiful thing, but I should have cut it down like this But I was disqualified as a leader who is not a dancer, I was irritated

[Comprehensive evaluation]
Evaluation is "good"
It was a theater quality

2014/02/08 Very Good(+2 pnt) [Original Japanese review]
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I went there for the second week with a reputation. As a theatrical version of late-night animation, it was a pretty good result.

In the Million Live Stage, focus was placed on Kana in particular.
It can be said that you are actually the chief character Chun Chun and W.
As you can see from the posters etc in the room, the pleasure of lining up with the existence of longing will be a salt.
The heavy responsibility that he was pulling his feet was also strong, and disappeared from the front of the member.

Shiho should be tough words from Shiho, but Chokuhi will withdraw from himself and Chihaya, then it will surely be relieved if Chunka experienced the development to recover from it. If she wants "everyone together", surely.

On the image side, I was overwhelmed by the notice of the play in the beginning. To the extent that I want to see the movie of this person to the quality.
The live scene of the best mountain is also worth seeing, such as composition that you can not see usually, although it is only one song.

However, it was somewhat redundant before I withdrew from Kana as mentioned above,
Because of that, it was 765 pairs that it was able to be airy to some of the Million groups. I guess CG was somewhat unnatural.
ED 's Rin (Mob Mouth) is a surprise. Someday it may be animated.

One who I knew for the first time in Animas and one I want to see old P's.

2016/03/05
Evaluation one rank up

2014/01/30 Good(+1 pnt) [Original Japanese review]
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I watched it as a producer.

As a world view, it was a continuation from the TV version Animas, and although it was a little space from the airing, it was able to see without discomfort.
This work is totally made as a story of Haruka viewpoint, but the turn of other idols does not eat the price, but rather the one that the vertical axis passed was not very easy to see it finished.

There is something that is somewhat unsatisfactory because it is such a big event that content is to make one live succeed.
However, to the depiction up to that there is a glimpse of certain "growth" of 765 professional idols who have overlapped with games and animation,
I think that I was able to feel a strong weight in one live as a certain character said in the last stage.
And after the live each departure. That it was never "farewell" but a stairway to a new stage was a thoroughly understandable character for both the appearance character and our producer.

And, it did not refer to the Grimmers to this point at all because it is not a matter of the number of turns but simply "Because I did not know who it was"
It's been a while since I transitioned from consumer to P of Mob Masse, but I feel insecure in various ways in Grimmus.
It is considerably dangerous to propose GREE 's game and the idol from there that will decline in the coming native app era,
I would like to sound a warning as a body I've seen the 876 professional end of the past.

However, it was also a fact that it was quite delicious as a guest character.
In the exchange with their "idol eggs" it was good that the 765 side saw another side as usual.
Although it is "very good" as a fan movie, it was a little doubtful in terms of the enthusiastic appealing ability to appeal to the first-time viewer and the light layer, so I cried tears with "good".
At least the active or former producers should watch them as one general settlement.




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