[Anime]Love position the legend of halley

Although the first half was as good as it was, in the second half, it was a story that stalled at once.

[good point]
A scene where the hero came over such a ramina and his father to such a romance between Ramina and the hero's father, to the hope of creating a greenery, including the author's Vietnam War, and the scene where " Although it was possible to expect the magnificence and theme of the part that connected Halley's comet to a scale like .......

[Bad point]
However, in the second half heroin father of the ego and ambition and aiming at the heroine, the heroine jealous of Ramina has ruined the style, the enemies aiming at Ramina are transformed into a villain monster of only B class movie It seems that the style got strayed because I had it.

Suddenly the scale got smaller and it did not get excited even if it fought against the climax monster and it was not good at all even if the heroine was saved because of the heroine attribute, and those around me got in the way (in a sense, the hero trying to do the right thing There is a small villain disturbing small villain Tezuka works) but it seems even that Tsujimoto also could not write an animated screenplay at this time.

It was not similar to Tezuka's work that I made the element that seemed to be improving a monster action of B class movie in a strange way, and it seems that the production team made a mistake here, strange cha cha and sideways (Even though Tezuka's human bad style had been gone without feeling) at that time .......

[Comprehensive evaluation]
At that time, it was supposed to be a SF fantasy of Halley's comet theme, because it was due to the boom of Halley's comet, which was approaching the Earth at that time, which is totally different, "You do not have to honest Honest Halle - comets ..." It was oblivious to say.

It is SF science fantasy and I have a dream, but I can not forget my disappointment that I can not call it Tezuka style, which conveys important messages. Even though Tsujimoto wrote the script, he ruined such a good thing, SF animation was too much at the time as a robot action only, it was not like a Matsumoto work (Matsumoto In the meaning like that, I heard that Zero boosted the second half, so I could not deny that I was sorry for Halley's comet, too.

Professor Osamu Tezuka was a work of his later life, but the Vietnam War that was only 10 years old since the withdrawal of the United States, the former US Army Lieutenant who was the father 's father was still able to pass through human foolishness And the strength to overcome it.

However, as Mr. Tsuzumi Mr. Mr. Mr. Tsuji saying "Are you?" Or the screenplay was bad normally, it was a failure point of this work.

He came to an umbrella with power, the heroine 's father who had been looking down on others had nose, and his aide who tried to make the heroine ours were both stereotypes and it was nothing fascinating. When I finished I was killed by that monster on the surface of a good face but it was made me to leave, but it was shabby, and the monster was just a charming nothing, just a rogue that was only eerie, strong and strong and strong.

Although it was said that Mr. Yoko Nagayama who was also in charge of the theme song was also not conspicuous in such a role, I think that acting was not bad as non-core business. But,
Although I finally apologized to the end for the last though, the heroine 's jealousy for her was too much and I could not empathize at all.

At the end when the hero's father also died, the monster also said "I'm sorry, persistent!",
We were gradually knocked down by Ramina, but there was no catharsis. The theme was also incomplete, and Tezuka sensei 's work was a trash which entered the worst 5.
Without this handsome acting by Mr. Kazuhiko Inoue, the evaluation is certainly "worst"
I think that it was supposed to be.