[Anime]Croisee in a Foreign Labyrinth
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Sasaki Shiro Takaaki Kidani
Itou Ikuko T2 Studio (Takahasi Production)
This description has the part which was created by referencing Wikipedia, so the licence of GFDL is applied to this description.
|Japan Released:2011/07/04(Mon) 00:30-01:00 Chiba Television TV / End:2011/09/19|
|Promotion video (2)|
- ▼Sorted by:Newness
2016/03/06 Very Good(+2 pnt) [Original Japanese review]
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Youth is healthy and very good child
The city of Paris can be very warm people
Being seen as a calm everyday work
I thought that the character is weak or the assertion is too weak
I felt that my thought was too good, there was a side where somewhat expedientism was over
I am sorry that various things have been reopened along the way. One course was too short
There was feeling of happiness like courageous, tottering.
It will be a work of healing system where the heart fills with warm feelings.
I was attracted by the beauty of honesty, honesty, purity, and the heart of "yu-yu", which is responsible for disappointing expectations, in a nice sense and making sense.
Ryosaku that glimpse of the goodness of a good old Japanese that has been lost.
I wish I had such a wonderful lady in Japan now
2013/04/13 Normal(+0 pnt) [Original Japanese review]
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The main character is cute.
I think that it is not clear what animation it is.
usually. I want a scene that is comfortable in my mind.
2013/02/01 Very Good(+2 pnt) [Original Japanese review]
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A talk about getting acquainted with the cloud of iron processing craftsmen (who are blacksmiths), rich lady, people in the shopping street, who have come to the service in Paris at the end of the 19th century.
As there is nothing particularly talked about, it is almost processed at the time (although the difference of rich and rich is told as it is), beautiful scenery and movement.I am an animation that only enjoys sound but starts to watch There is a centripetal force that can not be stopped.
It is already beautiful natural sound that can not be believed, such as the sound of hot water, the sound of iron hammering, or the sound of rain.
The landscape is amazing, but I made it carefully in various places and moved any shots already.Landscape.Natural sound.I do not know which of the music (string instrument or keyboard instrument etc) is to be enjoyed.
I think that director Kenji Yasuda is under the influence of Mr. Junichi Sato regardless of how (other staffs), such cute animation alone is wonderful.
Well, my older sister of Yumono, something like Mr. Shihon, the relationship between Claude and Camille, there are also heavy things.
[Good point] Natural sound. Well, is it difficult to reproduce the crowds of Paris?
[Bad point] The expansion of the story using characters is incomplete.
[Overall evaluation] As far as I know the masterpiece is too low.
(I posted again since I posted by mistake "cartoon" and "animation")
2012/10/25 Good(+1 pnt) [Original Japanese review]
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Human drama set in Paris in the 19th century.
A Japanese girl named Yume is struggling about foreign countries but finds where she is.
He is modest and modest, but strong in the core.
Such a hot sound is cute.
Also, the kimono stands outstandingly beautifully as opposed to the scenery of the old city.
There is only a place to put a staff on the kimono.
In fact, it was always a matter of Junichi Sato's everyday animation, but had a good quality.
And do not say it is a rocket.
2012/05/18 Normal(+0 pnt) [Original Japanese review]
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Drawing is a good yumo cute Mr. Higashiyama was able to get out with a good voice even in difficult acting.
There were plenty of settings unnatural, I was concerned about it and I could not enjoy it.
Language skills of Yumoto Why can you talk so much?
The old man said it was about greeting, so the old man did not teach it.
Well, during a long journey, I would not have done that, why did not you tell me?
I understand that you must attend a duty of service as a result of the service provider of Yumoto,
The girls in the Meiji era are tough to go to service.
Even though I ended up just because I want to work in Paris, I can not accept it.
Moreover, although I came to a service, I was treated as a customer, and I only do cleaning.
Doing a service is paying money to a house that you do not have hot water, do you?
Oh well there was such money.
What did you do with the money going to Japan in the first place?
Even if you purchase something like a souvenir from such a sightseeing spot, it will be a lot of sales.
I often felt like leaving the youth family at my such unfamiliar grandfather.
Moreover, the old man tries to go on a journey by leaving the yume to Claude and is too irresponsible.
The story is boring.
I portray boring everyday as boring.
There is no spread in the story.
Although it is an opening, I interact with people in the town, but in this volume it is about Alice and the people of the Claudel family.
I thought whether there is more cross-cultural exchange.
Mr. Yuki was floating with too much tension.
Mr. Yago Mr. It may be that he is acting not expressing his emotion seeming like a lesbian lady,
I just did not have feelings.
I do not know what kind of feelings I am killing.
I was hoping that it would look like a thin arms proliferation note,
I was refused help from the shop in the second episode and just spent with the daddy.
What did the production team want to do to bring yume to Paris?
I was surprised to hear from the people of the town that the youth sounds good at French in the final story.
I was speaking fluently from the beginning.
2012/02/19 Good(+1 pnt) [Original Japanese review]
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1, I can be likable for yumo.
2, a story
3, image quality
When I looked at it, I thought it was a good story.
2012/02/05 Normal(+0 pnt) [Original Japanese review]
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It seems to be Sato Junichi's work, basically it is a content that is fuzzy, it is a work of a feeling that puts depression into the ground -.
... and toddler, basically the love of the main character 's yumo is a point, it is a work you see in a relaxed mood.
It 's not like I do not have to worry about such as the background of the era or setting the stage.
Early in the drawing is depicting the difference between culture of Japan and France, it is distinctive that drawing both goodness and badness of both cultures, it was a good impression that we did not stay in Japan Banzai.
The streets of France are also wonderful, and the cute kimonos of kimono as cute as you want the air to be broadcast on the site is also nice.
Yumon and Alice think that the girls in each country are fully open and the appearance is like the average of the images of the girls in their respective countries.
I also liked lightly hundreds, and I think that it was good not to have put it in a human relationship that made it disgusting while setting it as bad as Claude.
Claude is basically a favorable man, I think it was quite a gentleman.
Well, at first it was a bit sunky, perhaps it was quite a good young man to have been a bit unsatisfactory.
Perhaps it did not make much feeling to open your mind little by little.
Although I did not think that the story is interesting, I think whether it is appropriate as long as I can enjoy this air after all.
Although I like the atmosphere quite a bit, because I was too short, I received the impression that the end was a little absurd and it was too similar to the form of "everyday animation" too much, so it was not so huge, so the evaluation is " it is normal.
2012/01/30 Normal(+0 pnt) [Original Japanese review]
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I was expecting it because it was directed by Sato Junichi.
I think that the atmosphere was good, but after I read the original, I did not feel like watching anime at all.
Especially nothing is wrong, but I feel that attractiveness is too weak. I think that it can also be said to ARIA
ARIA was able to watch anime even after reading the original, right? .
Well, since evaluation was cut off on the way, evaluation is made as normal.
2012/01/30 Good(+1 pnt) [Original Japanese review]
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The view of the world was very good, I felt like being sucked into the atmosphere and I was very comfortable.
There were lots of relaxing times, but I enjoyed it till the end without being bored.
I was glad that every character that appeared was also standing. Personally, I liked Alice 's high tension character as spice was felt in a pleasant atmosphere.
Claude's father and the depiction of Kamiyu entanglement felt weak. I wanted you to draw more concretely including things of Shihon.
It was healed by the atmosphere of warm Paris. + I thought that it would have been better if the story that I gave at a bad point with alpha went on more.
2011/12/27 Good(+1 pnt) [Original Japanese review]
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The Japanese girl's youth is a heartwarming everyday weaving in French 's lone shopping area "Galloro de Roa". Mr. Junichi Sato Mr. Junichi Sato Although it tends to be first seen as a series of goodwill, it should be evaluated that it is a work by satellite that is good at mechanical mecha action work by CG ~ works by sore other than Sore, but it is a work of solidity, There is no hunting point.
Only the kimonos in the basic lobby color saturation with high color saturation and BGM, painting with no roughness, screenplay with unbroken flow of relaxing time. Mr. Sato of the series composition, Mamiko Ikeda of the script (excluding the yet-to-be-talked), Mr. Hideki Inoue and other artists' skills will naturally be the gift of all the staff's skills. Especially painted by Mr. Keiji Goto Original painting, a storyboard, five episodes that delimited the director is Odoroki. Recently Mr. Goto participates as a staff staff when noticing various works,
I feel craftsmanship at work that kept my color down. Including Mr. Goto, the level of cooperation of each person is equalized and the quality with high averages is really pleasant.
Another (usually this may be the first) "Satjune" as a healing work impression is slightly different from other works. I myself did not have so much attention to Satjun's work ~ It is about "sketchbook" and "Tamayura" which had finished broadcasting the other day did not complain but accumulated in HDD ~ healing in this work,
I feel a sense of security that is unique. It seems to be because we see "Japanese likeliness" that our Japanese have already lost in Yumono. I am not simply talked about, but I am impressed that it is functioning properly as an opportunity to make a difference in diligence, sexualism and Claude's drama, as well as a yumo and Claude who reconsider myself . And it will not be possible to show such a stupid story without falling off a cool story but it will be only if there is a "safe quality" without episodes. I would like to expect further growth for satellites.
Aside: Actually, the Nendoroid of the ending offer screen was looking forward every time. As expected, there is something that credits include a good smile company.
2011/12/22 Good(+1 pnt) [Original Japanese review]
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It was not so if I thought that it was only a work with healing and healing. Surprisingly I draw "men and women" with this character design and setting. Especially I felt there was quite a reality in the passing of Claude and Yumoto. Sometimes I felt honest audition heavily in disgusting talks and dark atmosphere, but since the story itself is not dragged by the completion of one story, I think that it was good to reset with a wonderful ED song.
It was a voice actor of a teenage newcomer (seemed to be) to the yuson role of the protagonist, but I think that it was a very obedient and natural acting. I was able to empathize my work. As for the drama enthusiasm, it can only be said as the highest. Art was also unique and wonderful, but there was sometimes heavy feeling at the beginning because the stage is dark gally center. The difficult point is about the place where the production of the last round of climax is not good. I wanted a little more urgency.
I think that 2011 was a year of TV animation, but this work has wonderful contents that can not be defeated by other hit works. Do not eat and drink, I would like many people to see. I think that this may also be broadcast on NHK like everyday.
2011/12/20 Good(+1 pnt) [Original Japanese review]
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At first I did not tame very much with a character dither, but it does not matter if I get used to it.
Sato Junichi Screenplay. The 4.5th episode of an unreleased broadcast by a storyboard is outstanding and it is worthy of being the number one candidate in the summer of 2011 as one episode.
As for not only cute but also heroine who works hard, I was likable.
The difficulty is that there is a slightly dark part such as the death of Claude's father, but was it a vague end just by blurring it?
2011/12/07 Good(+1 pnt) [Original Japanese review]
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I was drawing a lot of differences in culture between Japan and France, and if it is a common pattern, I will be too close to France, but I was glad that I was staring at a bad place from both eyes using a character, What is more emotional depiction of emotional depictions are carefully depicted in other countries, Claude's character portrayal is well done, even if it is made into a world view, but I will explain it with mouth or narration I was glad that it was being shown by video without it.
It seems to be neither stopping nor stopping, but I thought that I could see the whole work objectively with a broad line of sight.
Claude and Alice 's older sister Camille, and pulled in, and it was also influenced by the fact that his father was killed in the accident, Claude is not afraid of being parted or will not open his mind very easily or approaching There is also desire to monopolize that he wants to monopolize.
From Camille it is a nice place and a hateful place in Claude, and the depiction of Camille is also good, at first there seems to be a gentle atmosphere that seems to be unique even if you are a lady at first but there is a cold feeling like looking down Although it reflected in a disgusting feeling, I can understand later that I'm thinking in the lady's position of becoming a lady.
In the past recollection scene of Claude and Camille, at first, it seems that Claude's feelings are using mind from the difference of status, but Camille has been using mind in places that are not actually visible.
Even if Claude tells me to go somewhere, I can not go to play freely as it is a lady.
The only limited free place was only in the house, but Claude is sometimes called a child, and it goes by without noticing that sort of thing.
Claude who enjoys going to play on the surface seems to bear it with distractions but it seems to be patiently being touched, but even the limited freedom as not to be found by the household so as not to be disliked It was the Camille who was patient with taking care so as not to be deprived.
So the dialogue that Camille was said to have come to play forever is also in this place, but Claude and viewers misunderstanded that I thought that it was a selfish girlfriend.
What is better than anything is to describe such a depiction using a corset.
Alice is cumbersome and ordinary corseted, I praised my older sister, but as Alice I know that it was not for myself to have a corset wearing it while he was a child.
From that, I can see that Camille was careful about Claude.
Perhaps I wanted to do things like pulling myself looking at myself from Camille, but I did not try to open my mind in a true sense because of the characters of Claude and the difference of status.
Kamille is a cowardly mouse when there is such a weak point.
There was such a thing and Claude who does not see himself was also hated, but when I talk about it to yugaru, I think that way, surprising answer comes back.
There may be a difference between the French who wants to love even around there and the Japanese who will serve.
Because I am in a restless depiction if there is something peculiar to the Japanese, I'm in a position to be in the climate, so I draw the thought that I want to be useful for Claude and bring it to my last hint.
Sometimes I am afraid of parting and will not open my heart, so I sometimes hit coldly against Yumoto.
I believed in yumo so I did not know about circumstances, but I was scared to know.
Finally, finally, as a first step in the beginning, there is a feeling that it approached in a true sense, and it is still included in that it will continue still from there.
Rather than it may be the beginning of this story.
I thought that I knew he was laughing at the gloves and it seemed like a hot water, I thought that it would be too bad in a sudden, but the reason was also correct.
When I was a child I saw myself who was flying to such a father that my father who looked strong and deck looked so small, and laughed.
When I was a child I realized that it was not until I realized it or I realized it was an impressive scene.
Although Yumoto wanted to be useful, he could not do anything and pulled the thought that he was only inconveniencing it, but it was Claude's the same as he could not grab his father's hand and could not do anything.
Finally, by thinking repeatedly, I felt that the culture had overlapped in the midst of the first time there was a feeling that made me feel a little sick and I showed a difference in culture.
Finally it was good comparing with rats and cats, it is natural that you do not want to attach a bell if you do it from a cat, because it will escape to a mouse, so do not think of that feeling of a cat and press a human selfish feeling I will attach a bell at.
Therefore it is unavoidable that a cat will not stay from its owner.
It was a good example of overlapping with this work and Claude 's position.
It was not a work that I am convinced or enjoyed by showing merely the cuteness of the hot water sounds and cultures, but it was a polite and good depiction of such a whole story flow and detailed depictions.
If it is a recent pattern, I will aim only at Yume and Alice 's Moe, but since it is made without thinking so, I would like to evaluate such works.
Well Alice thought that it was typical or trivial, but there are quite a lot of realities too, so content is heavy from those parts and there is seriousness, let me relax or let me relax It was.
It's just a solitary push or a push or a disgrace of a lady, but there are parts that are somewhat similar but it was not a bad character that I thought seriously about the sound of a yumo properly.
Above all, the yugaru sounded too good.
It is Claude, Alice or Camille, but it feels like it neutralizes human-like disgusting parts.
It was also good that the core was strong and it was not easy to move things that I decided once, and it was also good that the characters were made in light of the characteristics of the Japanese women, and I saw Kasaba seemed so cool in such a while.
It was good to truly capture the goodness of Japan and it was also good that Claude returned it again.
Since Dogasha also has an absolute meaning, it shows that it keeps promises which are also one theme of this work.
It is within the mind that it would be nice to see something invisible, explained using imagination and thought with a magician, or even works like drawing a drama in my mind or using a tool recently It was not easy in the work of.
I feel I saw the merit of Japanese work for a long time.
It was not a work with something that shone, but it was a work that was good for plain texture.
Personally, there are many good works such as those in which clogs echoes or sounds are good, and works with self-theory are accentuated.
2011/12/01 Good(+1 pnt) [Original Japanese review]
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It was a carefully made work with a relaxed atmosphere as expected.
There were certainly not many variations of the story but there were many similar stories,
Personally I enjoyed it without feeling bored.
I also feel that Japan is being lifted too much,
Indeed, if people in Paris think that only Japan can obtain such information from yugaru and imagine that Japan would be such a country,
It was pretty real and interesting.
And I really thought that the characters were human beings and the distance to the viewers was close.
The viewer who is watching can also laugh and be surprised like the characters in the work.
Such works are unexpectedly few.
It is not even a gag animation, but it is wonderful that there can be a place to laugh.
I was just laughing at the sight of the hands of the yugaru.
Although it is composed of series, it seems that Satjune smell was firmly surprisingly surprising.
Work that seems to have the possibility of becoming a more wonderful work if continuing with the second term third term.
2011/11/23 Good(+1 pnt) [Original Japanese review]
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Youth is cute. The drawing is clean and the atmosphere is okay. I think that I could often get out of the 18th century Parisian streets.
The impact of the story is lacking. I almost got tired of it.
It is a typical healing animation. Just as a person I like history, I got a nostril as I got a beautiful impression. However, since it is fiction to the last, I will not care. Just as development of a story, some people may be uninteresting. Especially evaluation is "good" because there is no point of discomfort.
2011/11/21 Good(+1 pnt) [Original Japanese review]
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In the old Japan there was a custom such as "dedication" or "apprentice", but this work can be considered as a work depicting a different world fantasy and an intercultural culture shock, experienced by the Meiji daughter "Yuune" I guess.
Although I could not see the direction of the story for the first time, I was quite puzzled that the character of "Yumo" which is not so lively like a doll was interested, but since about the second episode, "Youth" looks cute It is getting used, and I am used to Oita work as well.
After all, this work is an animation that "enjoying" the flow and the atmosphere of the story "in a relaxed manner", the story is more likely to get lost in Gallis at best, or about a drama that will transform a boy of the thief Because it was only, it is somewhat unsatisfactory in the direction that wants dramatic undulation.
The background and depiction of the era of the 19th century "Paris" is very beautiful, but I also wanted a scenario that I would not get tired of.
At some point after the end of the auction, there are reasons why you can not remember the contents that remained strong, especially in the impression, soon.
2011/11/20 Very Good(+2 pnt) [Original Japanese review]
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At that time (19th century) the retro atmosphere is transmitted.
It feels good as a warm hearted work.
The opening music was also good.
It is common with the original, but there is a slight feeling that Japan is being lifted a little.
The part which "bored feeling" can not deny is also felt as well. (This is somewhat conspicuous when it is animation)
Time is the 19th century. Is it about "Meiji era" in Japan?
And the stage is Paris in the 19th century.
A girl "Yumo" who came to a place in France from the land of Nagasaki was taken care of under the signboard craftsman Klose and his grandfather and talked about their service at their shop in a foreign land.
A horse-drawn carriage, a stall venue, a shopping district, and a department store that would have been a new attempt at that time ...
Feelings like that made me feel the retro atmosphere of the time, I was made to feel somewhere a nostalgic feeling.
I think that the view of the world at that time, as well as the original, was well served.
Also, although the opening music is also a light feeling, it also makes me feel retro, I thought that this animation is well matched.
There was also somewhat boring feeling in animation, there was also a part that I thought is easy to get bored, but I think that the world view and the video were good,
Because the characters were as good as the original, I think that the work of the original is fully utilized.
2011/11/18 Normal(+0 pnt) [Original Japanese review]
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I have read the original only a little.
France in the 19th century Paris. It is around time that the culture of Japan and the character of the Japanese are not well recognized yet. Japonese who came to a small town workshop in Gallis. Japonese who was still young and still wearing rare "Kimono".
It is such a work that she exchanges in the land of a foreign country and the human beings around her gentlely gently.
The point which was ok was first depicted in the background. Then there were several places I thought that writing was polite.
It was quite suitable for the work and I think that it was wonderful here.
The point I was bad ... I think that it is roughly all a good story, but I feel a little boring because the character and the story movements are scarce and it is very slow. Unfortunately there were times when I felt that it was running down.
Evaluation is "normal".
It is not a Moe animation, it is a healing animation work so we do not choose people to watch, but it may be boring as it is relaxing. I think that it is exactly a good work to watch in a state of bathing up.
We will also turn our attention to "culture" and "customs", and I will also learn a lot. It is by no means a bad work.
2011/10/28 Good(+1 pnt) [Original Japanese review]
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Each person has humanity. It is unexpectedly hard to draw good points and disadvantages in personality.
I feel that Claude was a pretty rare type of hero. Although it is gentle once, there are also aspects that are stubborn and cause tantrums. This is reasonable for a certain year, despised from the pressure to try to desperately try to shop the store, I guess I'm getting a bit closer because my age is close enough to not handle it myself yet Remember ... On the contrary Oscar something has truly tolerance and always follow up with Yune or Claude.
In a dedicated place of Yune, it is stubborn in a sense, but looking positively and touching a new thing would have given the audience the same feeling, coupled with her older sister's feelings.
Alice seems to have taken a balance with a very good feeling because it gives a bright atmosphere in many quiet and quiet people.
There are also some boring parts.
I think it was quite interesting.
I also knew the original, but I did it without animation as well.
2011/10/11 Good(+1 pnt) [Original Japanese review]
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Anyway I got it.
Come to Yumano-chan's house ....
Would you mind shortage if you dare to give out?
It was chillin, a good work.
2011/10/10 Normal comment [Original Japanese review]
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An animated woman who is calm and warm hearted is a good girl, but for children it may be too unnaturally solid.
The cityscape is beautiful, I was glad that I understood the age of that age.
Speaking of bad things, if you feel warm hearted when you are sleepy, you will fall asleep as soon as you sleep, or even a warm hearted system,
2011/10/09 Very Good(+2 pnt) [Original Japanese review]
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From the beginning to the end, it was healed by the existence of a warm sound which is a warm hearted, most importantly the main character.
I did not feel bad feeling when I saw the worker working hard at Yumoto and the warm gaze of people around me. Usually, if you think that you want a person who is a little more poisoned in the work with this sort of everyday thing as theme, it is enough that they were just jealousy of the second half Camille 's hot water.
At that time the knowledge of daily life in France. Sometimes a heavy story is caught, a story that goes slowly. And the best seller is a healthy and pretty hot water. Kimono which changes subtly every time was also one of the highlights, but the kimono you showed at the beginning of the first episode was the most attractive.
If it is briefly summarized, I could watch it with peaceful feelings. Evaluation is "very good"
2011/10/02 Good(+1 pnt) [Original Japanese review]
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A world view, or a stage
Being based on the historical background properly
Characters are cute
Basically one story completed type
Late story is a little heavy (tempo too)
There was also a story that is not finished cleanly
I would like to make the overall evaluation "good". Although it was a work that decided to continue viewing and listening with 1 story viewing, I felt that I was drafting firmly with a yuba that the Japanese moved to a foreign country in that era. Paris, which had been a stage, also had a feeling of old days, and I could not feel any contradiction. Despite the fact that there were not many characters in the characters, the character did not feel bored, and because there were not many, the personality of each person's character was steadily released. Also, the story was also basically one talk complete type and it was good that there is good flowingness like the tempo of the neighborhood.
However, there were also times that I remember pushing a little bit. After all what happened to the relationship between Claude and Camille? I felt that I had been left untouched. In addition, as time went on to the second half, the times I felt heavier talks came out, and I felt that the tempo became worse at the same time as the air.
That's why there was also a time to watch once in the second half, but in the final round, Ochi in the final round seems to have confirmed a strong bond with Claude, Alice, Garlis people Tentatively, how to end happy ending However, I wanted to see more stories, so I'd like to expect a second term or OVA.
2011/10/02 Bad(-1 pnt) [Original Japanese review]
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Yumeba: Simply cute, good reaction
Oscar: Compared to Claude who is somewhat easily wrinkled, it is still adult
Claude: Although it became somewhat obvious in the last round, I often do not do something without saying why
Although the original unreadread is not extremely bad, although somewhat less than one course, the older sister of Yuune who had become "Patrick angry in the first half, its solution in the second half" and the story of Claude and Camille was halfway It seems to be going to be in the second term though because it is odd, but I can not expect too much
2011/09/30 Very Good(+2 pnt) [Original Japanese review]
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Original unread, all the story viewed.
As I wrote before, I thought that this work is made with treating atmosphere very much.
Drawing carefully on the cityscape of Paris, music that makes you feel the flow of relaxed time.First casually you care about the part that becomes the stage of the story such as the everyday living of the people of the Paris itself I am creating an atmosphere that allows viewers to see themselves in a calm manner by using them.
OP.ED makes it feel like a smile just by watching OP and ED just like being able to say that there is no more in this atmosphere of the work, and saying it.
In each episode of 1 episode 1 episode, Claude unexpectedly said emotional lines of speech against Yumono, the yun is dropping, the yun is getting lost, it is about to fall off the roof, and a calm atmosphere There was also a scene that could break the scene, but in the last scene the scene that makes me warm feeling is surely said to be said to be said that it can say that every time, after viewing it was able to soak in the pleasing finish.
The point that I consistently painted the healing atmosphere that can also be felt from the cuteness of yu-yo and characters that are overflowing with people is very fond of me.
However, although such a consistent atmosphere is the merit of this work, it can be thought that it is also a disadvantage at the same time.
Every time it can be seen with peace of mind, but poorly speaking, it will be possible to see it as a style that feels bored by some people, which is rude and unchangeable.
Another person who is anxious about personally, Camille.The boy who was stealing.The younger sister of Yumono Shihon.People who seems to have one side that could not be drawn in work such as Claude's father The thing that the work ended while I was away.
If you could make 2 terms, I would like to expect that it will be a better Ryosuke that sublimed these points well.
Evaluation is "very good" close to "highest".
2011/09/29 Very Good(+2 pnt) [Original Japanese review]
by KODOKU (Skip) Provider: 12010 Host:12222 Browser: 10777
〓〓〓Atmosphere of the work.
I thought it was somehow like "ARIA", but I was convinced knowing that Mr. Junichi Sato was involved.
Every character has one side to love.
I think that people from the main cast were performing well.
Again Mr. Hideyuki Tanaka, veteran, had a prominent presence, fluffy.
Far from the fact that the original is incomplete, since the comic book still has only a few volumes, it seems that it seems that animation was made too early.
Although I was puzzled by the lack of explanation because of lack of explanation, it gradually became accustomed, and it was quite a good work as one heart-full work.
I also gained interest in the original.
Although it may be subtle in that way of finishing, I expect the second term.
2011/09/26 Very Good(+2 pnt) [Original Japanese review]
by merihym (Skip) Provider: 10149 Host:10129 Browser: 5235
Yume is pretty cute
Pictures are beautiful including the background
Music fits the atmosphere of the work very much
Good direction. I was able to listen to the whole story with confidence
Claude is sluggish in the first half 〓〓〓The flow of gentle in the second half has been converted to templates
Just as Mr. Junichi Sato of ARIA was involved in the series composition and sound director,
In a wonderful story like ARIA, it was a very healing animation with Natsume Yujincho In such an era, it may be necessary to have animated cartoons that are healed and touchable
2011/09/25 Very Good(+2 pnt) [Original Japanese review]
by kirin (Skip) Provider: 12700 Host:13030 Browser: 4894
I think that both the OP song of a unique atmosphere and the ED song which the voice actor of Yumoto act sings were good. I think that the inserted songs and ED songs of 4.5 stories were also very good. Also, as Paris of the 19th century France says as the stage, the cityscape looks very beautiful and drawn with a good atmosphere, and I personally have a very good impression.
Although I like works called intercultural exchanges, in a relaxed time flow, saying not to say everything in words, saying to read lines between facial expressions and gestures of characters, between "feel" style It is also a good impression.
It is seeming that a lot of people are feeling hot and cute, and I also agree, but Claude who came from Peru probably seems to have never gone out of Paris I think that the appearance that I am confused without understanding how to contact a yumo and the existence of Oscar who watches it with the generosity of an elderly person was great.
Also, I think that existence of Alice was also great as a detonator for getting familiar with Yugaru to Gallis. Although the characters of this work are basically only gentle good people, I think it is good to think about the style.
I feel a bit of forcibly but I think that the final story was gathered beautifully. However, because Yugo depicted the process of getting familiar with Garuri, Yumono only goes around Gallis and the Blanche family. I think that I wanted to see the wonderful scenery and streets of Paris more in the 19th century. Personally, I also care about Shihon which is my elder sister of Yusune, Claude and Camille.
I do not know whether the second term will be produced or not, but if I will produce it, I would like to continue watching the rest.
Evaluation is "very good".
2011/09/24 Very Good(+2 pnt) [Original Japanese review]
by 枕がない (Skip) Provider: 7551 Host:7476 Browser: 5682
Drawing is beautiful Nice feeling that there is nothing in everyday animation series There is a good atmosphere
It is not suitable for people who want to see an animated cartoon that has a young sound looking younger than the actual age
I think that it is an animation that can be seen stably on the whole. The yumo is still cute and I feel that I understand why a Japanese woman gets to a foreigner.
Claude was surprised individually for the first time in the tsundere unusual for men to do what they wanted in the end as opposed to what they do. I was a little concerned just being a handsome guy. I think I wanted you to press closer to the relationship between Camille and Claude.
Therefore evaluation is "very good".
2011/09/22 Very Good(+2 pnt) [Original Japanese review]
by なおおき (Skip) Provider: 7132 Host:7047 Browser: 9669
It is based on last time
Character base, warm feeling style style drawing voice actor
In other words, the heroine looks like the elementary school 2nd and 3rd grade in proportion to the age of 12. It is not enough to make it warm.
In proportion to the healing work? Sister's sister's illness, Claude's father is accidental death or somewhat dark ....
Individually, it was easy to see and enjoyed because it is hot water, Claude or a good person.