[Anime]Ao no Exorcist Kyoto Fujoouhen
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|Information about this title|
Kazue Katoh SHUEISHA JUMP SQUARE
|Japan Released:2017/01/07(Sat) 01:55- Tokyo Broadcasting System Television, Inc. TV|
1. http://www.ao-ex.com/sp/ (Translation)
|Promotion video (1)|
- ▼Sorted by:Newness
2017/03/25 Normal(+0 pnt) [Original Japanese review]
by アマンドの木 (Skip) Provider: 11608 Host:11541 Browser: 4894
Re-animation from the previous work over the past five years. I am doing a very complicated thing, making an original part of the previous work that caught up with the original and celebrating the original ending, making an episode of the continuation of the original anime.
In other words, when you take out only this work, the story starts suddenly starting from the middle. In order to know the meaning until this episode, it is only whether to read the original work or to see the middle of the previous work animation. As this work itself, I think that it is insufficient explanation or insufficient content. (In the next "My Hero Accademia" I will explain the story of the previous work or the story for the first time)
Moreover, the content of the story is a content that describes how the hero grew based on the accumulation of the previous episodes. The story drawn with this work is part of answer, so to speak, the essential problem is not drawn in this work. I wanted to see the previous work, but I could not remember the details of the work of five years ago, it was very difficult to follow the story. (It was inevitable to infer from the typical pattern of the same type of work, backwardly calculate the role from the arrangement of the characters, or to supplement variously from the information of the meta part, not the work itself)
Whether how to make these works is right? It will not matter if it is the second term with a half year vacancy, but should it be more than five years time to vacillate as a new work anymore? It might be fine with OVA attached to the original appendix, but I think that you should consider carefully for the first time to watch it for the first time as it is broadcast on radio waves.
Therefore, I can not concentrate on stories. In the story of the development of the hero winning the trust of friends, the process of losing the trust must first be drawn, but since it is not drawn at all, the catharsis can not be felt at all. Since the setting of the hero called Satan's son is not drawn to why it is subject to terror, the hero himself accepts that attribute, and the determination that it will grow and establish itself on that is obscure I can only receive it.
Because it is a royal story, if it was properly drawn to that part, would it be a proper work?
It is hard to evaluate anything since the work itself has problems in the project itself beforehand.
However, as new projects become difficult to adopt, the reuse of such past works may increase in future. At that time, whether or not to make the alive next after the failure of this work is correctly reflected. I think that is the most important point.
2017/03/18 Normal(+0 pnt) [Original Japanese review]
by 古典主義 (Skip) Provider: 26511 Host:26562 Browser: 4693
I think that I've improved my psychological description and much more than my previous work. Because the previous work was truly sky ska ...
The tragedy that each speculation and emotion passes each other around various human relationships such as parents, brothers, teachers, friends, same ailments and so on draws well. Although it is stressful that only the passing is done.
Mystery and tricks are also good. The contract with Carla is persuasive and I am quite impressed.
The setting of the demonic sword is also pretty good, the setting is up (although the drama is too strong a sense of dullness).
Painting etc are excellent.
As mentioned above, the tempo is bad with just the trouble. Ideally it should have provided a catharsis of settlement, a big clash once in the midfield.
The "trouble" of each character is too lame. The flow of rebirth is also exactly the temple thing itself, the pain which can show us the story that the punch knows endlessly is terrible. Phosphorus does not come out of the demonic sword, and from there it is tired of getting tired of self-affirmation or temple disorder.
Although it is a royal road, there is a stubbornness, and Gudaguda enlargement, and viewing is stressful.
According to the net, it inherits the first half of the previous work, seems to be talking faithfully to the original.
However, since time has passed since the previous work, who gets to the work of this work has a strong impression of this time.
Although it seems that the second half of the previous work, which was an anime original, seems to be "nothing", I myself knew about the previous work, only about it, I did not care about the continuity mind, so I did not embrace either preference or badness, but this kind of animation I am unhappy.
.OP does not match the style.
"usually". Although it can be seen well, the drama is slow-tempo and stressful.
Each character collapses endlessly troubled, and there is little refreshing feeling. I understand that I would like to fold the story in a good place to cut down, but I think that if you look at this "non-grand king" animation, you feel a sense of moodiness of enlargement, a sense of Gudaguda inevitable, and somehow somehow.
Well I will not recommend it. If you are an original fan, please level.
2017/03/18 Normal comment [Original Japanese review]
by ぅぅう (Skip) Provider: 7504 Host:7681 Browser: 5141
It is the royal road of youkai extermination in plot
All the characters including the hero are too delicate too delicate It is only if one line passes through whatever one line is passing though it is good but in order to move the swing in whisper of the devil without even the main character even in the main character all the characters set such I think that if someone who is supposed to be one person has strange characters, the content will go out, but that is disappointing there
I wish there was one such an anime like Spirit New Takashi in Mobsuiko